Grip And Electric Film Job Definitions

Key grip or first company grip. This is part of the cinestudy project a free online source for people learning filmmaking. Ranging from huge necessities such as the c stand to the smallest tool such as c47s we are the 1 spot for grip essentials.

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Grip and electric film job definitions.

Key grip the foreman of the grip department. The grip department may include only a key grip a best boy and a few grips. 3rd grip company grip or gang grip. He or she will act on behalf of the key grip in areas such as booking crew and equipment rental.

Manages the budget for a film project. The grip and electric departments get a brief overview. Dolly grip operates the camera dollies or camera cranes. It is unclear why this term came to be used as a job title on film sets.

The majority of grips fit into this category. The main or primary light source used in a scene. A grip is part of the production team that develops and builds the set for a movie commercial or television show. Best boy grip assists the key grip but assumes more responsibility for the hiring and scheduling of the crew.

Apple boxes sandbags cables plates overheads scrims flags reflectors if there s anything a grip crew would need we have it. Key grip the key grip is the lead grip on a film set and in charge of all the other grips. Apply to producer director set up associate production assistant and more. Head grip in charge of setting up equipment including cranes dollies and platforms to facilitate the camera crew s shot.

Oversees the rental of the equipment on the set. Overseas the work and responsibilities of all of the grips on the set. The boss or head of the grip department. Best boy grip or second company grip.

A film production is nothing without it s key grip and a grip crew. Large scale productions such as major films commonly include full time rigging and second unit crews and in total may hire many dozens of grips or electricians at one time. The key grip and best boy collaborate with the gaffer and d p. To formulate the best tactic for accomplishing a given shot.

In a large crew the key grip and gaffer would work closer to the dp while the best boy of either department would then work with the grips and electrics to fulfill the plan. There are shoots where the best boy might be a swing meaning they d work for both grip and electric. Scouts locations and obtains the necessary permits for filming in those. This is the key grip s right hand person.

The key grip oversees the proper camera rigging mechanisms as well as manages the light blocking and diffusing techniques. Grips work primarily on the complex equipment which supports the cameras and on.